A rhapsodic exploration of immigration, race, and class by Vietnamese American phenom and National Poetry Slam star Bao Phi. When it feels like no one lets you live at your own volume You sing. Dynamic and eye-opening, this debut by a National Poetry Slam finalist critiques an America sleepwalking through its days and explores the contradictions of race and class in America. Featured in "Young Poets Society" in Mpls/St.Paul Magazine "In this strong and angry work of what he calls refugeography, Bao Phi, who has been a performance poet since 1991, wrestles with immigration, class and race in America at sidewalk level. To hip-hop beats and the squeal and shriek of souped-up Celicas stalking the city streets, [Phi] rants and scowls at a culture in which Asians are invisible, but also scolds his peers 'Bleached by color-blind lies/Buying DKNY and Calvin Klein/So our own bodies are gentrified.’. . . In this song of his very American self, every poem Mr. Phi writes rhymes with the truth.”— The New York Times " Sông I Sing " is [Phi’s] first published book of poems. It was worth the wait. Even without his voice, his words are loud in all the right moments, and quiet when they need to be. . . . With struggle comes violence, and his chronicling of it is plentiful -- from wars fought abroad to police shootings at home. But he can turn brutality into beautiful narrative on a dime. . . . And whether they are written in a book or spoken onstage, once you hear them they will stay locked in your head, always dancing.”— Minneapolis Star Tribune "Phi deals with pain and injustice and spins it into potent, rhythmic poetry. . . Phi is one of the few contemporary writers, along with his close friend Douglas Kearney, that is equally proficient on the page and the stage. . His poems leave no stone unturned and urge us all to do the same." — KCET “Bao Phi and Ed Bok Lee . . . comprise a local vanguard of Asian American literature, as poetic in their demolishing of stereotypes as they are determined.”— Minnesota Monthly “Warning: When reading Sông I Sing by celebrated slam poet Bao Phi, be prepared to read out loud. The poems and their rhythmic repetitions beg to be spoken, not just read. Composed with rhythms that refuse to stay flat on the page, Sông I Sing is a relentless anthem that breaks the proverbial silence about racial prejudice and violence against people of Vietnamese origin living in the United States.  . . . A stunning work of sustained energy and rapturous hunger for acknowledgement, recovery and change, Sông I Sing is essential reading for anyone invested in understanding the changing tropes of current American culture, and for anyone with a keen ear for the rhythms of discontent that appear on the street corners of the American urban landscape and find their way into the heart of the homeland.”— Phati'tude Literary Magazine “Bao Phi’s poetry is unabashedly and unwaveringly all about being Asian American in the old activist sense of the term. In Sông I Sing, Bao Phi has something to say about being Asian American and an Asian American poet, and he says it in one astonishing poem after another. . . . . Sông I Sing also rings with poems of love and unforgotten friendship, tributes to otherwise invisible immigrant parents, humanizing portraits of those who have lost or are losing but nonetheless growing up wiser in the face of existential despair. Phi gives voice to those who live beneath the radar of the American creed, but who have internalized that creed as much as the quotidian racism they endure.”— Lantern Review “ Sông I Sing is an honest and raw dialogue about race against an urban backdrop. His poems pulsate off the page with solid rhythm and his passionate, activist voice.”— City Pages "Bao Phi’s long-awaited debut collection Sông I Sing brings poetry back to the people like nothing else I’ve seen in Vietnamese American culture. . . . Phi is wry and witty observer of the registers and markers of inclusion and exclusion, with a deep affection for those who are often violently and mercilessly excluded."— diaCRITICS “If you see Bao Phi coming, you better do a gut check, and set your motherboard to receive. Anyone who has been lucky enough to experience his work knows he means to re-adjust our minds, unseat our comfortable assumptions, and teach our hearts to weep and sing. He is our grief-stricken brother howling, moaning, and wailing in remembrance of those who suffer because of inadequate representation. He is our ecstatic shaman, manifesting through his work the oldest sources of passion, imagination, and cosmic joy. Sông I Sing is a gift. Thank you, Bao Phi.” — Li-Young Lee “ Sông I Sing will cleanse and free your mind; it is an American original. Phi’s voice is singularly strong, rhythmic and rooted in the particularities of the Vietnamese American experience, in the urgencies of hip-hop and the cold raw edge of the poet’s urban Midwestern roots, where being a ‘colored boy’ makes finding