“A fiercely imagined tale of love and loss, a story that manages to transform tragedy into comic redemption, sorrow into heroic survival.” — New York Times “[A] beguiling family saga….A captivating jigsaw puzzle of longing and loss whose pieces form an unforgettable image of contemporary Native American life.” — People A New York Times bestselling author, a Pulitzer Prize finalist, and winner of the National Book Critics Circle Award, Louise Erdrich is an acclaimed chronicler of life and love, mystery and magic within the Native American community. A hauntingly beautiful story of a mysterious woman who enters the lives of two families and changes them forever, Erdrich’s classic novel, The Antelope Wife , has enthralled readers for more than a decade with its powerful themes of fate and ancestry, tragedy and salvation. Now the acclaimed author of Shadow Tag and The Plague of Doves has radically revised this already masterful work, adding a new richness to the characters and story while bringing its major themes into sharper focus, as it ingeniously illuminates the effect of history on families and cultures, Ojibwe and white. As Louise Erdrich's magical novel The Antelope Wife opens, a cavalry soldier pursues a dog with an Ojibwa baby strapped to its back. For days he follows them through "the vast carcass of the world west of the Otter Tail River" until finally the dog allows him to approach and handle the child--a girl, not yet weaned, who latches onto his nipples until, miraculously, they begin to give milk. In another kind of novel, this might be a metaphor. But this is the fictional world of Louise Erdrich, where myth is woven deeply into the fabric of everyday life. A famous cake tastes of grief, joy, and the secret ingredient: fear. The tie that binds the antelope wife to her husband is, literally, the strip of sweetheart calico he used to yoke her hand to his. Legendary characters sew beads into colorful patterns, and these patterns become the design of the novel itself. The Antelope Wife centers on the Roys and the Shawanos, two closely related Ojibwa families living in modern-day Gakahbekong, or Minneapolis. Urban Indians of mixed blood, they are "scattered like beads off a necklace and put back together in new patterns, new strings," and Erdrich follows them through two failed marriages, a "kamikaze" wedding, and several tragic deaths. But the plot also loops and circles back, drawing in a 100-year-old murder, a burned Ojibwa village, a lost baby, several dead twins, and another baby nursed on father's milk. The familiar Erdrich themes are all here--love, family, history, and the complex ways these forces both bind and separate the generations, stitching them into patterns as complex as beadwork. At least initially, this swirl of characters, narratives, time lines, and connections can take a little getting used to; several of the story lines do not match up until the book's conclusion. But in the end, Erdrich's lovely, lyrical language prevails, and the reader succumbs to the book's own dreamlike logic. As The Antelope Wife closes, Erdrich steps back to address readers directly for the first time, and the moment expands the book's elaborate patterns well beyond the confines of its pages. "Who is beading us?" she asks. "Who are you and who am I, the beader or the bit of colored glass sewn onto the fabric of the earth?... We stand on tiptoe, trying to see over the edge, and only catch a glimpse of the next bead on the string, and the woman's hand moving, one day, the next, and the needle flashing over the horizon." -- Mary Park, editor In reviewing Tales of Burning Love (1996), we observed that "the power of narrative and the salvation of love have always been Erdrich's quintessential themes." Those themes remain crucial to her latest novel, but here they only sporadically shine through a cloudy sky: "History is grief and no passion is complete without its jealous backdrop." In her characteristically swirling narrative style, Erdrich tells the story of two intertwined Ojibwa families, the Roys and the Shawanos, and the fiery love that scars their souls and inhibits their freedom. We hear many voices in these overlapping and interconnected stories, jumping in time and place from a cavalryman who bayonets an Indian woman and then saves an infant girl to a reservation dog who avoids the soup pot and becomes a canine Greek chorus, but the axis around which the entire cast rotates is an event, not a person: when a smooth-talking trader abducts (or maybe just entices) a beguilingly beautiful woman from a powwow and takes her with him to Minneapolis, a tremor is felt on the mythic seismograph, echoing the past and foreshadowing the future. Some readers may have difficulty with the narrative jumps and the rich overlay of magic realism, but for those willing to slowly immerse themselves in this nonlinear world as one soaks in a hot bath, the rewards are many. Erdrich's image-rich prose sed