The inimitable, haunting films of Alfred Hitchcock took place in settings, both exterior and interior, that deeply impacted our experiences of his most unforgettable works. From the enclosed spaces of Rope and Rear Window to the wide-open expanses of North by Northwest, the physical worlds inhabited by desperate characters are a crucial element in our perception of the Hitchcockian universe. As Christine Madrid French reveals in this original and indispensable book, Hitchcock’s relation to the built world was informed by an intense engagement with location and architectural form―in an era marked by modernism’s advance―fueled by some of the most creative midcentury designers in film. Hitchcock saw elements of the built world not just as scenic devices but as interactive areas to frame narrative exchanges. In his films, building forms also serve a sentient purpose―to capture and convey feelings, sensations, and moments that generate an emotive response from the viewer. Visualizing the contemporary built landscape allowed the director to illuminate Americans’ everyday experiences as well as their own uncertain relationship with their environment and with each other. French shares several untold stories, such as the real-life suicide outside the Hotel Empire in Vertigo (which foreshadowed uncannily that film’s tragic finale), and takes us to the actual buildings that served as the inspiration for Psycho ’s infamous Bates Motel. Her analysis of North by Northwest uncovers the Frank Lloyd Wright underpinnings for Robert Boyle’s design of the modernist house from the film’s celebrated Mount Rushmore sequence and ingeniously establishes the Vandamm House as the prototype of the cinematic trope of the villain’s lair. She also shows how the widespread unemployment of the 1930s resulted in a surge of gifted architects transplanting their careers into the film industry. These practitioners created sets that drew from contemporary design schools of thought and referenced real structures, both modern and historic. The Architecture of Suspense is the first book to document how these great architectural minds found expression in Hitchcock’s films and how the director used their talents and his own unique vision to create an enduring and evocative cinematic world. Publication of this volume was assisted by a grant from Furthermore: a program of the J. M. Kaplan Fund The subject is fascinating. This book will surely appeal to a wide audience. Christine Madrid French’s enthusiasm is contagious, informative, and eye-opening. ― Sidney Gottlieb, editor of Hitchcock on Hitchcock French is a thoughtful critic who constantly places the director’s architectural interests within cinematic space, thereby making the buildings major characters in his stories. He melds human characters with the architectural space within the film ― Journal of Urban Affairs "Thoroughly researched and beautifully written, this book is a gem."― CHOICE As both a screenwriter and a historian, Madrid French tells a good story and presents insights into buildings that are historic parts of the American past. Her focus on the real-world histories of cinematic structures adds fascinating insight into the Hitchcock oeuvre . Her easy style of writing guides the reader effortlessly through labyrinthine cities and apartment buildings and down abandoned highways while proffering historical facts and connections along the way, all of which adds nuance to Hitchcock’s choices for filming locations and architecture.― Arris French is a thoughtful critic who constantly places the director’s architectural interests within cinematic space, thereby making the buildings major characters in his stories. He melds human characters with the architectural space within the film French persuasively details how and why Hitchcock used actual buildings, and the aesthetic/ideological manifestos of their builders, as sites for cinematic nightmares...French is to be applauded for finding fresh perspective on such oft-visited destinations as Psycho , Vertigo , Rear Window , The Birds , and North by Northwest . She leaves us convinced that no other filmmaker used the architecture of his time more personally, in ways that speak to generations beyond his own. The subject is fascinating. This book will surely appeal to a wide audience. Christine Madrid French’s enthusiasm is contagious, informative, and eye-opening. Christine Madrid French, a native of Los Angeles, is a historian, author, and screenwriter specializing in architecture, Hollywood, and film.