In this volume you will find fifty terrific new ten-minute plays, all successfully produced during the 2013-2014 theatrical season. They are written in a variety of styles. Some are realistic; some comic; and some are dramatic. Included in this volume is a comprehensive list of theatres which do ten-minute plays. 2 Actors: Candy Likes Your Status (Henderson), Communication Gap (Cissna), dtf (Brunstetter), End of the Rainy Season (Rigney), Filler (Biss), Girls Pay or the Ketchup Stigmata (Kozak), Graceland (Thayer), Halfway (Schwend), How to Succeed in Romance (Crawford), Lost and Found (McGee), Mandate (Younger), Oblivion (Lewis), Painting Seventeen (Cooper), Perfect (Campbell), Return of the Curse (Neary), Ripple Effect (Spano), A Second Rapture (Marlow), Something Like Loneliness (Dowler), Stubble (Mallon), A Tall Order (Wilner), Under the Pomegranate Trees (Nigro), Unprimed (McKinney), A Walk in the Public Area (Kotis), You Belong to Me (Reitz); 3 Actors or More: All American (Keshaviah), At the Finish(Gandiello), Bite Me (Mansfield), Cake (Kramer), Detective Stories (Kaplan), East of the Sun (Taylor), Fully Accessible (Graham), I Love You I Love You I Love You (Levine), Intervention (Ehrlich), Lost in Thought (Lockheardt), Mothra vs. the Casting Director: An Allegory (Katz), Moving Day (O'Sullivan), My Body (Bublitz), One Life (Cornell), The Origin Story of Lewis Hackett (Burch), Parting Gifts (Calarco), Pink, Grey, Maroon (Bader), The Proxy (Kaplan), Rise (Skillman), Sacrifices (Moughon), Something Fine (Dufault), Stonehenge (Milton), Supernova in Reseda (Bogard), Unveiled (Cunningham), Whose Bag is it Anyway (Markarian), With Her Old Boyfriends There Were Patterson (Pfeffinger) ABOUT THE EDITOR For over thirty years Lawrence Harbison was in charge of new play acquisitions for Samuel French, Inc., during which time his work on behalf of playwrights resulted in the first publication of such subsequent luminaries as Jane Martin, Tina Howe, Theresa Rebeck, William Mastrosimone, and Ken Ludwig, among many others. He is now a freelance editor, primarily for Smith and Kraus, Inc., for whom he edits annual anthologies. His new column, On the Aisle with Larry, is a feature on the Smith and Kraus website and and works with individual playwrights to develop their plays.