An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art   In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim—notably through finely produced Esther scrolls and theater productions—became a meaningful expression of Jewish culture. For the Dutch, Queen Esther’s heroism came to represent their emerging nation’s identity. Rembrandt and his contemporaries depicted essential scenes of Esther’s story in paintings, prints, drawings, and decorative arts.   Examining how Esther was represented in art and popular culture in Rembrandt’s time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen’s status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther’s continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman.   Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh   Exhibition Schedule:   Jewish Museum, New York (March 7–August 10, 2025)   North Carolina Museum of Art, Raleigh (September 20, 2025–March 8, 2026)   Isabella Stewart Gardner Museum, Boston (July 28, 2026–January 10, 2027) “This elegantly designed volume . . . showcases dozens of paintings and works on paper [and] highlights the story’s use in contemporaneous Jewish ceremonial art, decorative arts, and biblical theater. The result conveys the range of Esther’s cultural impact on Dutch society and its emergent identity on the world stage.”—Stuart Halpern, Wall Street Journal “This . . . richly insightful book illustrated with a tremendous number of stunning objects demonstrates how the cultural significance of Esther’s story continues to resonate across borders and into the modern era.”—Samantha Baskind, Jewish Book Council Abigail Rapoport is curator of Judaica at the Jewish Museum, New York. Michele L. Frederick is associate curator of European art and provenance research at the North Carolina Museum of Art, Raleigh.