Amy Beach was a pathbreaking composer and pianist who transcended the restrictions of nineteenth-century Boston to become America's most famous turn-of-the-century female composer and, later in her career, a prominent performing artist and promoter of music education. The Cambridge Companion to Amy Beach makes her life and music accessible to a new generation of listeners. It outlines her remarkable talent as a child prodigy, her marriage to a prominent physician twice her age, and her subsequent international acclaim as a composer and piano virtuoso. Analytical chapters examine the range of her musical output, from popular songs and piano pieces to chamber and symphonic works of great complexity. As well as introducing Beach's compelling music to those not yet familiar with her work, it provides new resources for scholars and students with in-depth information drawn from recently uncovered archival sources. ‘This well-researched and tastefully produced book is a welcome addition to the ever-growing literature on Amy Beach, one of the most important American composers of the early twentieth century … There can no longer be any doubt that Beach is a composer with whom serious musicians and listeners ought to be more than vaguely familiar. Anyone who thinks otherwise is invited to read this volume and see if their scepticism survives.’ Eric McElroy, Musical Opinion ‘What begins to emerge from this volume is a sense of a musician of true grit and principle, one who fought for what she wanted to achieve, and who advocated and agitated for women’s participation in the arts. If [this Companion] can bring us just a bit closer to an understanding of this clearly remarkable artist, then it has done its job.’ Amy Blier-Carruthers, Gramophone The first book in twenty-five years to survey the life and music of America's pioneering female composer of concert works. E. Douglas Bomberger teaches musicology and piano at Elizabethtown College. He has published six books and numerous articles on music in the United States, and he served as subject editor for nineteenth-century music for the Grove Dictionary of American Music (2013).