A Companion not only to the historic, path-breaking ballet production by Diaghilev, Nijinsky, Roerich and Stravinsky that premiered in Paris in 1913, but also to its legacy across the centuries. The newly commissioned essays will guide students and ballet-goers as they encounter this fascinating work and enable them to navigate the complex artistic currents it set in motion, intertwining music, theatrical ballet and modern dance with the wider world of ideas. The book embraces The Rite of Spring as a spectrum of creative possibility that has impacted the arts, politics, gender, race and national identity, and even popular culture, from the 1910s to the present day. It distils an enormous body of literature, sharing insights from the very latest research while inviting readers to rethink standard scholarly narratives, and brings together contributions from specialists across multiple disciplines: music history, theory and analysis, dance and theatre studies, art history, Russian history, and European modernism. Guides students, listeners and ballet-goers through The Rite, its musical and theatrical origins, and its powerful artistic and scholarly legacy. Davinia Caddy is author of The Ballets Russes and Beyond: Music and Dance in Belle-Epoque Paris (Cambridge, 2012), co-editor of Musicology and Dance: Historical and Critical Perspectives (Cambridge, 2020), author of How to Hear Classical Music (2013) and frequent contributor to Radio New Zealand.