Jonathan Demme was one of the most accomplished American film directors of his era, yet despite the scope and variety of his work, he remains underappreciated. After apprenticing with the B-movie impresario Roger Corman, from whom he learned to make films cheaply and quickly, Demme rapidly rose through the Hollywood ranks while retaining his restlessly curious instincts. He directed eighteen feature films and twelve documentaries and music films, as well as numerous shorter works. Among them are critical and cult favorites such as Something Wild , blockbusters including The Silence of the Lambs , and groundbreaking performance films, notably Stop Making Sense . This book offers an in-depth look at Demme’s four decades of filmmaking, tracing the core elements that unite the disparate strands of his work. Louis Black and Steve Fore argue that Demme’s films share a compassionate, emotionally generous perspective on humanity’s flaws and foibles. No matter their scale, style, or subject matter, they show an affection for and fascination with people, as individuals and in communities. Ranging from low-budget productions to the pinnacle of Hollywood success, this book highlights the humanist sensibility, artistic ambitions, keen social criticism, and wry humor that are hallmarks of Demme’s work. Lively and comprehensive, The Cinema of Jonathan Demme offers a new lens on a major director. Louis Black was the longtime editor of the Austin Chronicle and a cofounder of South by Southwest. A film critic and historian, he has participated in the restoration and rerelease of classic Texas independent films, including Eagle Pennell’s The Whole Shootin’ Match . Steve Fore is retired from the School of Creative Media at the City University of Hong Kong. He previously taught at the University of North Texas, Ohio University, and the University of Texas.