Unlock the Hidden Architecture of Great Storytelling Step into the mind of a literary master and uncover the intricate machinery behind the world’s greatest novels. Percy Lubbock’s seminal work, The Craft of Fiction , is far more than a guide to reading—it is a meticulous anatomy of the novelist’s art. First published in 1921, this elegant and influential study invites both aspiring writers and passionate readers into the workshop of masters like Tolstoy, Flaubert, and Henry James, revealing how their narratives truly function beneath the surface. Lubbock goes far beyond summary or critique. He explores the essential distinction between telling a story and showing it—the central challenge facing every serious fiction writer. With clarity and depth, he examines point of view, narrative method, and the delicate balance between scene and summary. Along the way, he demonstrates why certain artistic choices cause a novel to pulse with life while others leave it static and dull. Widely regarded as a foundational text in the theory of the novel and a cornerstone of modern literary criticism, The Craft of Fiction establishes the very vocabulary we use to discuss narrative structure today. Whether you dream of writing the next great novel or seek to better understand how your favorite authors achieve their effects, Lubbock provides an indispensable guide to the techniques that make stories endure. Discover the blueprint of masterful fiction—and learn to see literature with newly sharpened eyes. Percy Lubbock, (1879-1965) was an English man of letters, known as an essayist, critic and biographer. He was educated at Eton College and King's College, Cambridge. He won the James Tait Black Memorial Prize for 1922, with his memoir of childhood summer holidays at Earlham Hall in Norfolk. He became an émigré, and lived in Gli Scafari on the Gulf of Spezia. Towards the end of his life he went blind. Remarkably well-placed socially, his intellectual connections included E. M. Forster, a Cambridge contemporary, Edith Wharton (a member of her Inner Circle from about 1906), Howard Sturgis and Bernard Berenson. He reviewed, anonymously in the columns of the Times Literary Supplement, significant modern novels including Forster's Howard's End. His 1921 book The Craft of Fiction ('the official textbook of the Modernist aesthetics of indirection') became a straw man for writers including Virginia Woolf and Graham Greene, who disagreed with his rather formalist view of the novel. Amongst his other works are: Samuel Pepys (1909), A Book of English Prose (1913) and Shades of Eton (1929).