The Daylight Gate , an instant bestseller in the UK, is award-winning Jeanette Winterson’s singular vision of a dark period of complicated morality, sex, and tragic plays for power in a time when politics and religion were closely intertwined. After the Gunpowder Plot of 1605, every Catholic conspirator in England fled to a wild, untamed place far from the reach of London law. On Good Friday, 1612, deep in the woods of Pendle Hill, amid baptismal pools and low, thick fog, a gathering of thirteen is interrupted by the local magistrate. Two of their coven have already been imprisoned for witchcraft and are awaiting trial, but those who remain are vouched for by the wealthy and respected Alice Nutter. Shrouded in mystery and gifted with eternally youthful beauty, Alice is established in Lancashire society and insulated by her fortune. Yet she is also plagued by rumors of a dark and torrid love affair with another woman, the matriarch of the notorious Demdike clan. As those accused of witchcraft retreat into darkness, Alice stands alone as a realm-crosser, a conjurer of powers that will either destroy her or set her free. “More than a shivery treat… This harrowing novel, set in early-17th-century England, touches on nearly every aspect of witchcraft, both historical and imaginative. In little more than 200 pages, Jeanette Winterson depicts starving hags, gorgeous Renaissance orgies, alchemists searching for the secret of eternal life, horrific torture and even the Dark Gentleman himself. Much of the story, moreover, is true…. The Daylight Gate proffers a series of short, sharp shocks… the reader … is gripped by the realistic horrors and brutality Winterson describes… Winterson neatly shifts back and forth among various “realities” throughout… Yet she never tries to dazzle the reader, keeping her sentences sober, precise and solemnly beautiful as the novel moves along with a steady relentlessness…. utterly spellbinding.”—Michael Dirda, Washington Post “Mixing historical detail and dark horror, the author brilliantly brews a spellbinding take on the 1612 English witch trials.”— People “A daring historical novel…a portal in prose, through which readers enter fully into the bloody, raucous England of the early 17th century….Any reader who crosses over into this novel will remember vividly where he or she has traveled — through the tumultuous years when English heroines and witches appeared interchangeable, and passion erupted at the gateway between love and despair.”—Alan Cheuse, NPR "Winterson’s writing has an uncanny glow: Her pared-down, poetic prose serves as an artful yet unobtrusive foil to the quick, visceral cadence of a plot that walks a fine line between gothic horror and historical fiction, tempering the shock value of its sex and violence. From one gruesome development to the next, Winterson’s haunting imagery and narrative immediacy captivate...an engrossing story that’s sure to leave you shivering."—Catherine Straut, Elle "Electrifying.... a nightmarish novella that burns like a hot coal."— Kirkus Reviews (starred) "Absorbing...[there is] pleasure in its intensely visual qualities."— Publishers Weekly (starred) "More than a re-imagining of a vanished moment. It is concerned with freedom, choice, and destiny, truth to emotion and to personal experience, the nature of conviction and belief, evil and, above all, good. . . . Winterson's intensely graphic descriptions of the witches' practices and their suffering create a fictional world of claustrophobic nightmarishness. . . . The Daylight Gate is angry, red in tooth and claw, bloody, suppurating, replete with an agony that is startlingly physical. . . . The novel is a tour de force of horror writing, but it never descends into shilling-shocker territory. It's an almost impossible balance for the writer to strike, but Winterson succeeds triumphantly. . . . Slips effortlessly between apparent realism and full-throttle fantasy, grotesquerie or burlesque. It makes for exhilarating if unsettling reading.”— The Saturday Times “Sophisticated . . . Visceral . . . Utterly compulsive, thick with atmosphere and dread, but sharp intelligence too.”— The Telegraph "Gripping . . . The narrative voice is irrefutable; this is old-fashioned storytelling, with a sermonic tone that commands and terrifies. . . . [Winterson] knows where true horror lies. Not in fantastical dimensions, but in the terrestrial world. Most grotesque and curdling are the visceral depictions of seventeenth century Britain—the squalor, inequality, and religious eugenics. . . . As well as being a gripping Gothic read, the book provides historical social commentary on the phenomenon of witchcraft and witchcraft persecution."— The Guardian “Vigorous . . . Filled with Winterson’s characteristic intelligence and energy . . . This dark story with its fantastical trappings of magic and mysticism, its strong women and wild, Lancastrian setting is Winterson’s natural habitat and she map