A joyous and poignant exploration of the meaning of fandom, the healing power of art, and the importance of embracing what moves you, “ The Dylanologists is juicy…artfully told…and an often moving chronicle of the ecstasies and depravities of obsession” ( New York Daily News ). Bob Dylan is the most influential songwriter of our time, and, after a half century, he continues to be a touchstone, a fascination, and an enigma. From the very beginning, he attracted an intensely fanatical cult following, and in The Dylanologists , Pulitzer Prize – winning journalist David Kinney ventures deep into this eccentric subculture to answer a question: What can Dylan’s grip on his most enthusiastic listeners tell us about his towering place in American culture? Kinney introduces us to a vibrant underground: diggers searching for unheard tapes and lost manuscripts, researchers obsessing over the facts of Dylan’s life and career, writers working to decode the unyieldingly mysterious songs, fans who meticulously record and dissect every concert. It’s an affectionate mania, but as far as Dylan is concerned, a mania nonetheless. Over the years, the intensely private and fiercely combative musician has been frightened, annoyed, and perplexed by fans who try to peel back his layers. He has made one thing—perhaps the only thing—crystal clear: He does not wish to be known. Told with tremendous insight, intelligence, and warmth, “entertaining and well-written… The Dylanologists is as much a book about obsession—about the ways our fascinations manifest themselves, about how we cope with what we love but don’t quite understand—as it is a book about a musician and his nutty fans” ( The Wall Street Journal ). “Fascinating . . . Kinney’s tale of the peculiarly symbiotic triangle between Dylan obsessives, his music, and the inscrutable man himself poses some interesting conundrums. In one sense, the people who follow Their Bob around on tour, scrounge his unreleased studio recordings or buy the manger he was born in are like refugees from a Coen brothers reality show: ‘Inside the Hoarders of Highway 61.’ But there is also a tantalizing sense that Dylan, as hostile or plain indifferent to them as he might appear, has his reciprocal moments too.” ― The New York Times Book Review “Entertaining and well-written . . . The Dylanologists is as much a book about obsession—about the ways our fascinations manifest themselves, about how we cope with what we love but don’t quite understand—as it is a book about a musician and his nutty fans.” ― The Wall Street Journal “The book, a compelling study of Dylan’s most fervent and studious fans, is always lively and sometimes funny, but Kinney never finds humor at the expense of the obsessives he profiles. By presenting sympathetic, respectful portraits of people who were inspired by Dylan to write, read, travel, archive, and rethink their lives, Kinney gives us a new way to think about one of the most thought about men of the twentieth century. . . . What’s more exciting is the way The Dylanologists shifts the perspective of a well-known history: Kinney recounts an important artist’s excursions into electric guitar, Christianity and even Christmas carols not for the purpose of examining what these periods mean to Dylan’s life or artistry, but what they mean for the lives and artistry of the people who experienced them. By celebrating these merits—be they the ingenuity to cull incredible collections or the wherewithal to reinvent oneself—Kinney’s subjects prove themselves more creative than kooky.” ― The Chicago Tribune “Fascinating . . . Illuminating . . . Deeply reported.” -- John Dickerson, ― Slate “By getting his subjects to talk about the moment, often years past, in which they were swayed by Dylan’s music, Kinney humanizes the archetype of the pop junkie. . . . Most of the fans that Kinney talks to aren’t fools or stalkers. They have simply developed an usually strong affinity for an artist and his music. . . . Kinney’s own fandom seems to have lapsed a bit into skepticism, yet he never mocks the continued devotion of those who still believe.” -- Ian Crouch, ― The New Yorker “[A] must-read book . . . While there are countless books about Bob Dylan’s life and music, Kinney approaches Dylan from a different angle—the followers, scholars and kooks.” ― New York Post “In Kinney’s hands, what might have been a fans-only romp becomes instead a surprisingly touching mosaic of stories about the meanings that people (even Dylan himself) seek so energetically from art and artists.” ― Pacific Standard “Entertaining . . . While there’s no shortage of Dylan biographies or analyses of his work, The Dylanologists offers an interesting examination of Dylan’s cultlike band of followers who seem to put their lives on hold while dedicating themselves to the performer and his music. Fans will certainly enjoy this book, but so, too, should readers who seek a fascinating examination