Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures. It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams. “A tale that combines swashbuckling adventure, a big dose of science fiction and burgeoning romance.” — USA Today “Rich…studded with treats…beautifully written.” — Entertainment Weekly “Sweeping, highly original and absorbing…Defies categorization.” — Dallas Morning News "Kinky, Atmospheric." —Washington Post "Ingenious." —Richmond Times-Dispatch Gordon Dahlquist is a native of the Pacific Northwest, where he worked for several years writing and directing plays. Since 1988 he has lived in New York. He has been a member of New Dramatists, is a New York Theatre Workshop Usual Suspect, and a founding member of the CiNE. His works include Messalina (Evidence Room, Los Angeles: SPF, New York), text for Babylon Is Everywhere: A Court Masque (CiNE, Schaeberle Theatre; Theatre Magazine), Delirium Palace (Evidence Room, Los Angeles; published in Breaking Ground ), The Secret Machine (Twilight Theatre Company at Solo Rep), Vortex du Plaisir (Ice Factory ’99 Festival at the Ohio Theatre, WKCR’S Manhattan Theatre of the Air), Island of Dogs (4th Street Theatre), Severity’s Mistress (Soho Rep Theatre, New York University; winner of Primary stages’ Bug &Bub award), Mission Byzantium! (American Globe Theatre, NYTW’s Just Add Water Festival), and Reitcence (Horace Mann Theatre). He has written and directed several experimental films, that have been selected for the San Francisco International Film Festival, the Seattle International Film Festival, and the Northwest Film and Video Film Festival. He is a graduate of Reed College and Columbia University’s School of the Arts. He has received two Garland Playwriting Awards for Messalina and Delirium Palace. The Glass Books of the Dream Eaters is his first novel. Chapter One Temple From her arrival at the docks to the appearance of Roger's letter, written on crisp Ministry paper and signed with his full name, on her maid's silver tray at breakfast, three months had passed. On that morning, her poached eggs steaming their silver bowl (gelatinous, gleaming), Miss Temple had not seen Roger Bascombe for seven days. He had been called to Brussels. Then to the country house of his infirm uncle, Lord Tarr. Then he had been required at all hours by the Minister, and then by the Deputy Minister, and finally by a pressing request from a cousin desperate for discreet advice about matters of property and law. But then she found herself in the same tea shop as that same cousin-the over-fed, over-wigged Pamela—exactly when Roger was said to be soothing her distress. It was quite clear that Pamela's only source of disquiet was a less than ready supply of buns. Miss Temple began to feel tremulous. A day went by with no word at all. On the eighth day, at breakfast, she received the letter from Roger regretfully severing their engagement, closing with the politely expressed desire that she take pains to never contact nor see him in any way for the complete remainder of her days. It contained no other explanation. Such rejection had quite simply never occurred to her. The manner of dismissal she barely noticed—indeed, it was just how she would have done such a thing (as in fact, she had, on multiple galling occasions)—but the fact of it was stinging. She had attempted to re-read the letter, but found her vision blurred—after a moment she realized she was in tears. She dismissed the maid and unsuccessfully attempted to butter a slice of toast. She placed the toast and her knife carefully on the table, stood, and then walked rather hurriedly to her bed, where she curled into a tight ball, the entirety of her small frame shaking with silent sobs. For an entire day she remained indoors refusing all but the most bitter Lapsang Soochong, and even that watered down (without milk or lemon) into a thin, rusty beverage that managed to be both feeble and unpleasant. In the night she wept again, alone in the dark, hollow and unmoored, until her pillow was too damp to be borne. But by the next afternoon, her clear grey eyes ringed red and her sausage curls lank, waking in pallid winter light (a season quite new to the warm-blooded Miss Temple, who judged it objectively horrid), the bedding tangled about her, she was once more determined to be about her business, and brisk. Her world had been changed—as she was willing to admit (she had a young lady's classical education) did hap