Many lies have been told about Mary Astor. She never abandoned her parents to poverty. Her face was their fortune rather than her own. Nor did she rate on a private scorecard the sexual prowess of Hollywood leading men. But two more dangerous and persistent lies have distorted the understanding of her life. One lie defines Astor as the survivor of sex scandals and suicide attempts who ended up living on charity in a retirement home for film folk. There is much more to her story than that miserable scenario, for, in fact, with grit and determination, she rebounded from middle-aged decline to invest her energies in a new career as an excellent memoirist and novelist. The other most important lie—indeed, the great lie—robbed her of her core identity as Lucile Langhanke and imposed on her a movie stardom that she did not want. This book tells how "Mary Astor" recovered who she really was and really wanted to be. "Falsehood flies," Jonathan Swift noted, "and the Truth comes limping after it." However halting its pace, the truth about this gifted and highly intelligent person is much more interesting than any of the lies.The first full biography of Mary Astor, this book makes extensive use of previously unknown primary material from archives. In doing so, it corrects many errors of dates and facts in previous accounts. Respecting Astor's own priorities, it rebalances its account of Astor’s life in terms of her personal struggles, as well as her achievements as an actress on radio, in film, on stage, and in TV as well as an excellent memoirist and novelist. It also extends our understanding of Astor’s difficult life by explaining the profound effects of emotional abuse and financial exploitation by a narcissistic parent. A Gibson Girl beauty pushed into becoming a movie star in her teens by the archetypal stage parents, Lucille Langhanke went through heartbreak and scandal as "Mary Astor" before refining her craft, becoming sober and finding a new creative outlet as a memoirist and novelist in mid-career and later life. Illinois-based historian Kathleen Spaltro found a previously unseen collection of Astor's letters to a childhood friend in the library in Quincy, Illinois, which started her on her journey to tell the story of the star who became the original noir bad girl in The Maltese Falcon, in her independently published The Great Lie: The Creation of Mary Astor . nitrateville.com/viewtopic.php?f=29&t=31484 Interview of Kathleen Spaltro by Carl Rollyson about The Great Lie: The Creation of Mary Astor anchor.fm/carl-rollyson/episodes/Episode-49-A-talk-with-Kathleen-Spaltro--Author-of-The-Great-Lie-The-Creation-of-Mary-Astor-erpmno?fbclid=IwAR0drc_tVRfbEKuZEwuNPXz6Jgkwstq-upA2mP5xamkS4RROmGXWNPxy4Qo 'The Great Lie' chronicles life, struggles of Mary Astor March 31, 2021 BY RAY KELLY What sparked your interest in Astor? As a film buff, I of course felt impressed by her in "The Maltese Falcon." I wondered why I did not see her act in more leading roles in 40s and 50s films. I was surprised to learn she was one of the biggest female stars of the silent era. I had heard sad accounts of her 1936 sex scandal, alcoholism, and suicide attempts. I learned more from her two memoirs, "My Story" and "A Life on Film," of financial exploitation and emotional abuse. This created a picture of self-destructiveness. After I gradually realized that this was only part of the story -- and not the most interesting part, I decided to write about her. You discovered some of Astor's personal papers in her hometown library in Quincy, Illinois. What materials did you find there and elsewhere? The Quincy Public Library's Marian Kesler Collection contains Astor's letters to her lifelong friend, as well as the digitization of the three daily newspapers published in Quincy while Astor and her parents lived there. The daily papers of the time focused on minute details of social life, and her family members often appeared in news articles. In addition, the Boston University Library Mary Astor archive, to which she donated her papers, and also the library of the Academy of Motion Picture Arts and Sciences and other resources were invaluable. Astor won an Oscar for her portrayal of concert pianist Sandra Kovak in "The Great Lie." But your book's title is more than just a play on an old movie title. What was the great lie about Astor? It robbed her of her core identity as Lucile Langhanke and imposed on her a movie stardom that she never wanted. This book tells how "Mary Astor" recovered who she really was and really wanted to be. Her upbringing, as well as her becoming, at others' insistence, a commodity, created what she bitterly called "the product called Mary Astor." The betrayal of her "true self" is at the core of both her personal troubles and her ambivalent relationship with stardom. The imposition upon her of her identity and her acting vocation was her tragedy. The identity "Mary Astor" trapped her in a gilded ca