Collins (mystery writer and filmmaker) provides a colorful view of the field of mystery writing from its birth in memoirs of the first real-life private eye, Allan Pinkerton, to its development into the acclaimed fiction of Dashiell Hammett, Raymond Chandler, Ross MacDonald, and others. The text and 375-plus color illustrations (pulp fiction covers, comic strips, portraits of the usual suspects, etc.) afford a look at pop culture and how it integrated this genre through the dime novel, pulp fiction magazines, and radio, TV, and movies. Oversize: 11.25x12.25<">. Annotation c. Book News, Inc., Portland, OR (booknews.com) Penzler Pick, December 2001: It may start to look as if I have stock in Collectors Press because I've praised one of its books for three months in a row ( The Great American Paperback in October and Pulp Culture in November). Well, I wish I did, because this group of books includes some of the most beautiful and exciting mystery reference books ever produced. The History Of Mystery 's text, by the fine mystery writer Max Allan Collins, is a joy to read. It's not hard to tell when a writer, rather than a scholar, is doing the writing. Inevitably, because of the enormous range covered between these covers, it mostly skims the surface of the entire genre, but it's all nicely presented. Collins begins with the famous 18th-century French detective Vidocq, founder of the Sûreté and author of memoirs that are more fiction than fact, and moves quickly to the true inventor of the detective story, Edgar Allan Poe. He then goes on to Allan Pinkerton, who had the best adventures of his famous detective agency ghostwritten (again with less devotion to reportage than one might have wished). There's a good deal about the early dime-novel heroes, such as Old Sleuth and Nick Carter, whose adventures were sold for a nickel and a dime and were the predecessors of the pulp magazines. Everyone you'd expect to find is mentioned, as are some authors and books you might not expect in such a huge overview. Collins brings history up to today's bestseller lists with entries on Robert Crais, Harlan Coben, and Thomas Perry. Granted, they get less than a paragraph each, but what can you expect in a book of fewer than 200 pages (albeit giant ones) that covers absolutely everyone of significance, and some not so significant. But, as with the other books from Collectors Press, the magnificent illustrative material is the most compelling. Page after page of splendid full-color illustrations of dust jackets, paperback covers, movie posters, and other breathtaking artwork are an endless joy. And like their other books, the price is a bargain, thanks to the creative production that was done in Hong Kong. I realize I'm gushing, but you've got to see this handsome tome to fully appreciate what I'm getting at. If you have a mystery buff as a friend, relative, or loved one (or a boss who you'd really like to suck up to), get this book as a gift. But get two. Because once you see it, you won't want to part with it. --Otto Penzler New York Times best-selling author, Max Allan Collins has earned nine Private Eye Writers of America "Shamus" nominations for his Nathan Heller historical thrillers, winning twice for True Detective (1983) and Stolen Away (1991). A Mystery Writers of America "Edgar" nominee in both fiction and non-fiction categories, Collins has been hailed as "the Renaissance man of mystery fiction." His graphic novel Road To Perdition is the basis of a DreamWorks feature film starring Tom Hanks, Paul Newman, Jennifer Jason Leigh, Jude Law, and Stanley Tucci, and directed by Sam Mendes (American Beauty), which is scheduled for release March 2002. Used Book in Good Condition