This book traces the history of manuscript production in the Islamic West between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribī round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa. More than 200 dated manuscripts written in Maghribī round scripts – many of which have not previously been published and are of great historical significance – are presented and discussed. This leads to a reconstruction of the activity of Maghribī calligraphers, copyists, notaries and secretaries, creating a better understanding of the development of their practices. Using a blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources, the author paints a comprehensive and lively picture of Maghribī manuscript culture, from its beginnings under the Umayyads of Cordova until the heyday of the Almohad caliphate. He lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusī identity and its spread throughout the medieval Mediterranean. Umberto Bongianino offers a systematic, in-depth and illuminating study of the origins and development of the characteristic Maghribi round scripts of the Islamic West (North Africa and the Iberian Peninsula). By combining material and literary evidence, he also vastly enriches our knowledge of the manuscript production in the region. The style is clear and engaging, so that non-specialists can follow the technical arguments, without forgoing depth and detail. This seminal book cannot be missed by anyone interested in the cultural history of Islamicate societies. -- Dr. Maribel Fierro, Spanish National Research Council Explores the aesthetic dimensions, cultural significance and ideological power of Maghribi manuscriptsThis book traces the history of manuscript production in the Islamic West, between the 10th and the 12th centuries. It interrogates the material evidence that survives from this period, paying special attention to the origin and development of Maghribi round scripts, the distinctive form of Arabic writing employed in al-Andalus (Muslim Iberia) and Northwest Africa.More than 200 dated manuscripts written in Maghribi round scripts – many of which have not previously been published and are of great historical significance – are presented and discussed. This allows for a reconstruction of the activity of Maghribi calligraphers, copyists, notaries and secretaries, and a better understanding of the development of their practices.A blend of art historical methods, palaeographic analyses and a thorough scrutiny of Arabic sources paints a comprehensive and lively picture of Maghribi manuscript culture – from its beginnings under the Umayyads of Cordova up to the heyday of the Almohad caliphate. This book lifts the veil on a glorious, yet neglected season in the history of Arabic calligraphy, shedding new light on a tradition that was crucial for the creation of the Andalusi identity and its spread throughout the medieval Mediterranean.Key Features? Exposes the richness and sophistication of Maghribi manuscript culture, including parchment- and papermaking, calligraphy, illumination, bookbinding and chancery practices? Approaches social and cultural history through the study of manuscripts as artefacts? Shows that calligraphy and scribal practices were a key element in the construction of political and identity discourses? Includes a comprehensive catalogue of 252 dated manuscripts in Maghribi round scripts (including Qur’ans and chancery documents), the majority of which are unpublished? Lavishly illustrated with over 100 colour imagesUmberto Bongianino is Departmental Lecturer in Islamic Art and Architecture at the Khalili Research Centre, University of Oxford. Umberto Bongianino is Departmental Lecturer in Islamic Art and Architecture at the Khalili Research Centre,University of Oxford. He has published chapters in several edited collections, and articles in Journal of Islamic Manuscripts, Journal of Transcultural Medieval Studies and Journal of Islamic Archaeology.