The Odyssey (Barnes & Noble Classics)

$11.00
by Homer

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&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RThe Odyssey&&L/I&&R, by &&LB&&RHomer&&L/B&&R, is part of the &&LI&&R &&LI&&RBarnes & Noble Classics&&L/I&&R  &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R New introductions commissioned from todays top writers and scholars - Biographies of the authors - Chronologies of contemporary historical, biographical, and cultural events - Footnotes and endnotes - Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work - Comments by other famous authors - Study questions to challenge the readers viewpoints and expectations - Bibliographies for further reading - Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences―biographical, historical, and literary―to enrich each readers understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RLong before &&LI&&RThe Lord of the Rings&&L/I&&R, &&LI&&RStar Wars&&L/I&&R, and Harry Potter, the ancient Greek poet &&LB&&RHomer&&L/B&&R established the standard for tales of epic quests and heroic journeys with &&LI&&RThe Odyssey&&L/I&&R. Crowded with characters, both human and non-human, and bursting with action, &&LI&&RThe Odyssey&&L/I&&R details the adventures of Odysseus, king of Ithaca and hero of the Trojan War, as he struggles to return to his home and his waiting, ever-faithful wife, Penelope. &&LP&&RAlong the way he encounters the seductive Circe, who changes men into swine; the gorgeous water-nymph, Calypso, who keeps him a “prisoner of love” for seven years; the terrible, one-eyed, man-eating giant Cyclops; and a host of other ogres, wizards, sirens, and gods. But when he finally reaches Ithaca after ten years of travel, his trials have only begun. There he must battle the scheming noblemen who, thinking him dead, have demanded that Penelope choose one of them to be her new husband―and Ithaca’s new king. &&L/P&&R&&LP&&ROften called the “second work of Western literature” (The Iliad, also by Homer, being the first), &&LI&&RThe Odyssey&&L/I&&R is not only a rousing adventure drama, but also a profound meditation on courage, loyalty, family, fate, and undying love. More than three thousand years old, it was the first story to delineate carefully and exhaustively a single character arc ― a narrative structure that serves as the foundation and heart of the modern novel. Robert Squillace’s revision of George Herbert Palmer’s classic prose translation captures the drama and vitality of adventure, while remaining true to the original Homeric language.&&L/P&&R&&LP&&R&&LB&&RRobert Squillace&&L/B&&R teaches in the Cultural Foundations division of New York University’s General Studies Program. He has published numerous essays on literature and the book Modernism, Modernity and Arnold Bennett. &&L/P&&R&&L/DIV&&R&&L/DIV&&R Robert Squillace teaches in the Cultural Foundations division of New York University’s General Studies Program. He has published numerous essays on literature and the book Modernism, Modernity and Arnold Bennett. From Robert Squillaces Introduction to The Odyssey When Odysseus awakens from his dream-like voyage on the shore of his own island, he fails to recognize the place, asking: "To what mens land am I come now? Lawless and savage are they, with no regard for right, or are they kind to strangers and reverent toward the gods?" While the mists of Athene have produced the mariners confusion, his questions do not vanish with their dissipation. Is Ithaca the ordered kingdom he left behind or a new realm of incurable savagery? And, after all the alternative worlds through which we have passed, to what land have we finally come? After meeting Arete and Polyphemus and Anticleia and Achilles and Circe and Calypso and the Sirens and the Lotus-eaters and many others, how do we now perceive Ithaca? The poem offers no unified answers, instead multiplying the complications it has engaged since Telemachus set sail for Pylos. The first surprise of the Ithacan episode, at least to many modern readers, is its length; the landfall of Odysseus on his home shore marks only about the halfway point of the tale. Homers buildup to the battle with the suitors is one of the slowest and most suspenseful in literature-even though his original audience knew the outcome from the start. As Alfred Hitchcock once observed, the sudden explosion of a bomb of which viewers know nothing generates a half-seconds shock, while the slow ticking of a bomb of whose existence they do know generates a quarte

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