A retelling of the classic story finds the town of Hamelin plagued by rats until its citizens hire a piper to play a sweet tune that will lure away the pests, but when the people refuse to pay him, he also lures away their children. This magnificent picture book--originally published in Australia--is as tall and creepy as illustrator Drahos Zak's personification of the Pied Piper himself. "Hamelin Town was a town divided. / Rats and men lived side by side. / And where the difference truly lay / Some say was undecided!" begins Robert Holden's poetic retelling of the 13th-century German tale. The town of Hamelin is infested by rats--rats biting babies, chasing dogs, pillaging food supplies, and worse. Enough is enough: "The crowd grew angry, the crowd got mad. / They vowed they would give up all that they had. / Their most treasured possessions, the town's greatest riches, / To remove all the rats--they'd even use witches!" The next thing they know, the Pied Piper arrives--not a witch, but a musician--piping a captivating, cheese-promising tune that disarms the rats and lures them out of town. When it's time to literally pay the Piper for the rat eradication, however, the townspeople, unkind and ratlike in nature themselves, refuse to give the Piper his due. And so he takes the town's only real treasure, its shining-eyed girls and boys, across a crumbling, ready-to-crack bridge, and "the children left singing for a future much brighter." Zak's gorgeously painted, intricately crosshatched, deliberately unfinished illustrations render the mean, distorted faces of the townspeople as disturbing as the scuttling rats. Each scene explodes in brilliant architectural perspectives, with beams, rooftops, and arches oozing with vermin and vile villagers alike. Zak's visual world is a grotesque, unsettling mix reminiscent of the work of Pieter Bruegel and Ralph Steadman, and equally stunning. The Pied Piper of Hamelin is sure to be deliciously chilling for youngsters, as any story about mean people and rats would be, but young readers will also learn that greed and injustice are bad, and indeed, indulging in those vices may generate serious, irreversible consequences. On a lighter note, we are secretly relieved that the children are escaping the horrid town to a better place. We look forward to many, many more books from Drahos Zak. (Ages 5 and older, but more likely all ages.) --Karin Snelson Grade 1-3A"The Pied Piper" is a mean-spirited cautionary tale at best. Told in Holden's uninspired rhymes, there's not much redemption in it. Think about it. The populace is so unpleasant that they are as objectionable as the rats that plague them. When the piper leads away the rodents, the people refuse to pay him. So he lures away their children. A nice bedtime story indeed! Zak's stunning illustrations, with some of the fascination of Hieronymus Bosch, are the reason older children might spend time with this book. Set among crowded, medieval cobblestone streets jammed with half-timbered buildings, people contend with rat competition as they pursue their tawdry existences. The pictures are drawn in a satirical cartoon manner with a distinctly European sophistication, and full-color pages are alternated with monochromatic sepia paintings. An interesting effect is created by the artist leaving occasional details of a drawing uncolored within a painting. Such fully developed, professional illustrations seem wasted on this ordinary telling.ASally Margolis, Barton Public Library, VT Copyright 1998 Reed Business Information, Inc. Ages 4^-9. In Hamelin town "rats and men lived side by side," and it is hard to tell the difference between them. That is the horrifying theme of this retelling of the old folktale. The spare, poetic text and the intricately detailed pictures reveal how much the townspeople are like the rats that plague them: greedy, stupid, gross, slithery animals. In nightmare scenes reminiscent of the art of Hieronymus Bosch, rodents and grotesque citizens clamor and crouch, slobber and sprawl. Yet the pictures are clear and open: the chaos is set within three-dimensional architectural drawings of the town--outside on the street, and inside the inns and town hall spaces--with a geometric structure and balance. Some of the scenes dance with bright color; some are sepia toned, with exquisite cross-hatching; in the same picture, there is sometimes color, brown tones, and plain ink drawing that makes you notice one or two figures or the detail of a building. After the mysterious Piper arrives and lures the rats away, the citizens refuse to pay him. Then the dissolute crowd becomes more ratlike than ever; and in a climactic scene, the very arches of a building seem to grow into a grotesque, grasping monster, part furry animal, part human. There is one cheerful bucolic scene where the people cuddle their children, playing with their "treasure, their greatest of joys" --before the Piper takes his pay and his revenge, and that