In eighteenth-century America, fashion served as a site of contests over various forms of gendered power. Here, Kate Haulman explores how and why fashion — both as a concept and as the changing style of personal adornment — linked gender relations, social order, commerce, and political authority during a time when traditional hierarchies were in flux. In the see-and-be-seen port cities of Boston, New York, Philadelphia, and Charleston, fashion, a form of power and distinction, was conceptually feminized yet pursued by both men and women across class ranks. Haulman shows that elite men and women in these cities relied on fashion to present their status but also attempted to undercut its ability to do so for others. Disdain for others' fashionability was a means of safeguarding social position in cities where the modes of dress were particularly fluid and a way to maintain gender hierarchy in a world in which women’s power as consumers was expanding. Concerns over gendered power expressed through fashion in dress, Haulman reveals, shaped the revolutionary-era struggles of the 1760s and 1770s, influenced national political debates, and helped to secure the exclusions of the new political order. “Haulman’s terrific examination of the gendered implications of fashion is magnificently subtle and detailed. . . . [This book] will be important reading for scholars of gender, revolutionary political culture, and early American studies.”— American Historical Review “Offers a number of fascinating insights into the ordering of power and American social relations in the eighteenth century. . . . Beautifully detailed and arresting set pieces that sparkle through the pages of her book, like gems strung together on an intricate necklace.”— William and Mary Quarterly “An exciting, deeply researched work that examines the intersection of American culture and the changing nature of politics surrounding the American Revolution . . . . It would greatly benefit graduate students and researchers of early American life, specifically those with interests in politics, culture, and society.”— Journal of American Culture “The book . . . displays Haulman’s easy command of her subject and source material. . . . Without losing sight of the big picture, she pays focused attention to a few well-chosen artifacts and texts.”— Women’s Review of Books “Haulman [has an] ability to capture the telling details that made the colonial social experience distinct.”— New England Quarterly “One of the most effective aspects of Haulman’s book is the way she treats fashion in many different ways without losing the unity of her argument. . . . [She] successfully mixes methods from cultural anthropology, literary studies, and sociology.”— The Historian “Haulman’s book is a significant contribution to our understanding of eighteenth-century culture, gender, and politics, and it is, quite frankly, very fun to read.”— Journal of Southern History “A well-written, thoroughly researched work.”— Journal of American History "A rich and compelling study.— American Historical Review “'Haulman allows women and gender to take center stage in a narrative in which they are still too often rather marginal.”— English Historical Review In this original interpretation, Kate Haulman makes the luxuries of clothing and accoutrements--the details of their trade, their changing design, and the uses to which women and men put them--central to our understanding of imperial relations in the era of the American Revolution and the early republic.--Linda K. Kerber, author of No Constitutional Right to Be Ladies: Women and the Obligations of Citizenship Foppish, chic, powerful, weak ― modes of dress and societal hierarchy Kate Haulman is associate professor of history at American University.