A brilliant account of the proud and ferocious American fighters who stood up to the British forces in savage battles crucial in deciding both the fate of the Carolina colonies and the outcome of the war. "A tense, exciting historical account of a little known chapter of the Revolution, displaying history writing at its best."--Kirkus Reviews "His compelling narrative brings readers closer than ever before to the reality of Revolutionary warfare in the Carolinas."--Raleigh News & Observer. "Buchanan makes the subject come alive like few others I have seen." --Dennis Conrad, Editor, The Nathanael Greene Papers. "John Buchanan offers us a lively, accurate account of a critical period in the War of Independence in the South. Based on numerous printed primary and secondary sources, it deserves a large reading audience." --Don Higginbotham, Professor of History, University of North Carolina, Chapel Hill. Most of us are familiar with the role that North and South Carolina played in the American Civil War: if nothing else, every grade-schooler knows the significance of the 1861 bombardment of Fort Sumter in Charleston Harbor. But to popular historian John Buchanan, "that tragedy is of far less interest than the American Revolution. The Revolution was the most important event in American history. The Civil War was unfinished business." And the Carolinas, Buchanan convincingly argues, were the most critical theater in that conflict, with their wild Back Country seeing "a little-known but savage civil war far exceeding anything in the North." The Road to Guilford Courthouse is no less than a tour de force of pop military scholarship, an exhaustive battle-by-battle account of the Crown's grinding march to wrest the Carolinas from the resourceful Rebels. Beginning with Colonel William Moultrie's valiant defense atop the palmetto ramparts of Fort Sullivan against an outnumbering force of British men-of-war to the final "long, obstinate, and bloody" exchange at Guilford Courthouse, Buchanan meticulously recounts each skirmish, battle, and shift of strategy in the campaign. Relying on copious primary and secondary sources, he brings the combatants to life, from the worthy but somewhat obscure, such as Nathanael Greene, whom George Washington considered to be his successor should he fall, to soon-to-be legends such as Francis Marion, the Swamp Fox. --Paul Hughes * "Outstanding popular military history . . . an accomplishment of the same high order as McPherson's Civil War historiography."--Booklist "Chronologically connecting events from the siege of Charleston in April 1780, to the battle of Guilford Courthouse, almost a year later, Buchanan carefully weaves politics, battles and personalities into one of the fascinating stories of American independence."--Roanoke Times "His compelling narrative brings readers closer than ever before to the reality of Revolutionary warfare in the Carolinas."--Raleigh News & Observer "Buchanan makes the subject come alive like few others I have seen."--Dennis Conrad, editor of The Nathanael Greene Papers A brilliant account of the proud and ferocious American fighters who stood up to the British forces in savage battles crucial in deciding both the fate of the Carolina colonies and the outcome of the war. "A tense, exciting historical account of a little known chapter of the Revolution, displaying history writing at its best."—Kirkus Reviews "His compelling narrative brings readers closer than ever before to the reality of Revolutionary warfare in the Carolinas."—Raleigh News & Observer. "Buchanan makes the subject come alive like few others I have seen." —Dennis Conrad, Editor, The Nathanael Greene Papers. "John Buchanan offers us a lively, accurate account of a critical period in the War of Independence in the South. Based on numerous printed primary and secondary sources, it deserves a large reading audience." —Don Higginbotham, Professor of History, University of North Carolina, Chapel Hill. JOHN BUCHANAN is a popular historian who was an archivist at Cornell University and The Metropolitan Museum of Art. During his nearly three decades on the staff of the museum, he was, for twenty-two years, chief registrar in charge of worldwide art movements. He lives with his wife in New York City.