A major new edition of Thomas Kyd's The Spanish Tragedy, an outstanding landmark of Elizabethan drama. In its time, it quickly became a box office success and probably inspired Shakespeare to write Hamlet , as it contains a ghost, murders that demand revenge and a hero that hesitates and contemplates suicide. As a revenge tragedy, it set up the salient features of a dramatic genre that would last decades. Its hero, the aged Marshall of Spain Hieronimo, whose son is murdered at night, soon transcended the play and became the standard stage representation of grief, rhetorical passion and madness. Hieronimo's main antagonist is one of the first Machiavellian characters of English drama. This edition explores the play in relation to its historical context and contemporary Iberian dynastic policy. It also relates the play, as a literary artefact, to other artistic manifestations of the European Renaissance and offers a fresh assessment of the play's stage history. For the first time in the play's textual history, this edition presents an integrated text inviting a reading of the play as it was published both in 1592 and in 1602. “ The Spanish Tragedy has a long stage history which Calvo and Tronch summarize concisely [in this book]. Professional performances up to 2010 are documented, but amateur performances, often ignored by critics, are also shown to yield interesting insights.” ― The Year's Work in English Studies “A well-thought-out contribution to the study of Kyd, The Spanish Tragedy, and its underlying themes of cultural representation, power relations, afterlife studies, early modern international relations, and historical context analysis.” ― H-Nationalism Thomas Kyd (1558-94) was an English playwright, about whose life and works little is now known. Kyd was a contemporary of Spenser and a friend of Marlowe. He was criticized by the court poets for his lack of formal education but enjoyed great popularity as a dramatist. None of his early work having survived, he is chiefly remembered for The Spanish Tragedy (c. 1589), the first English revenge tragedy. This violent and bloody play proved extremely popular and was revived after the Restoration in a production remarked upon by Samuel Pepys. Its influence can be seen in English tragedy throughout the 17th century, most notably in Shakespeare's Hamlet, which employs not only the revenge theme but also the use of a play-within-a-play to reveal the identity of the murderer. Largely because of this, Kyd has often been suggested as the most likely author of the so-called ' ur-Hamlet ' (c. 1594), a lost play that is known to have supplied many of the basic plot elements of Shakespeare's masterpiece. In recent years much attention has been paid to Kyd's possible role in the events leading to the death of his friend Christopher Marlowe. In May 1593 Kyd was arrested for possession of a 'heretical' treatise denying the divinity of Christ. Under severe torture he stated that the document had been given him by Marlowe, a noted freethinker who seems to have been the authorities' real target. Kyd's evidence led to an arrest warrant being issued against Marlowe, who was killed in murky circumstances a few weeks later. Kyd himself never recovered from his treatment in prison and died the following year. Suzanne Gossett (Ph.D. Princeton) is Professor Emerita of English at Loyola University Chicago. She is a General Editor of Arden Early Modern Drama and has recently served as president of the Shakespeare Association of America. Gordon McMullan is a professor of English at King's College London, UK. John Jowett is Emeritus Professor at the Shakespeare Institute, University of Birmingham. Used Book in Good Condition