From the author of the critically acclaimed The Mermaids Singing comes a haunting, luminous novel set on an enchanted island off the west coast of Ireland where magic, faith, and superstition pervade the inhabitants’ lives and tangled relationships—perfect for fans of Eowyn Ivey, Sarah Waters, and Angela Carter. May 1959. From one side of St. Brigid’s Island, the mountains of Connemara can be glimpsed on the distant mainland; from the other, the Atlantic stretches as far as the eye can see. This remote settlement, without electricity or even a harbor, has scarcely altered since its namesake saint set up a convent of stone huts centuries ago. Those who live there, including sisters Rose and Emer, are hardy and resourceful, dependent on the sea and each other for survival.  Despite the island’s natural beauty, it is a place that people move away from, not to—until an outspoken American, also named Brigid, arrives to claim her late uncle’s cottage. Brigid has come for more than an inheritance. She’s seeking a secret holy well that’s rumored to grant miracles. Emer, as scarred and wary as Rose is friendly and beautiful, has good reason to believe in inexplicable powers. Despite her own strange abilities—or perhaps because of them—Emer fears that she won’t be able to save her young son, Niall, from a growing threat. Yet Brigid has a gift too, even more remarkable than Emer’s. As months pass and Brigid carves out a place on the island and in the sisters’ lives, a complicated web of betrayal, fear, and desire culminates in one shocking night that will change the island, and its inhabitants, forever. Steeped in Irish history and lore, The Stolen Child is a mesmerizing descent into old world beliefs, and a captivating exploration of desire, myth, motherhood, and love in all its forms. “Steeped in dark Irish mythology, The Stolen Child is a piercing exploration of regret and desire, longing and love. It is a gorgeously written, inventive, and compelling novel.” — Ayelet Waldman Kirkus Most Addictive Books of 2017   “Carey employs a generous dose of magic realism to leave you guessing, crafting a dark, devastating fairy tale that will keep you up into the wee hours. The Stolen Child is beautifully written, well-paced, and at times heartbreakingly bleak […] you get an intoxicating sense of the island as you read. […] An enchanting, razor-edged expoloration of desire, belonging,motherhood, and the bonds between family.” - Irish Independent “There is magic realism of a fine order in this book, and it works. The sheep tracks over the wild hillsides, the crumbling cottages, the fierce elements, the austere grandeur: all are beautifully caught. Carey has a great ear for the Irish vernacular, the music of the speech; and the domestic scenes and exchanges are excellent.” - The Guardian “The all-nighter read…THE STOLEN CHILD does what few tales dare to―get inside your head and refuse to leave...This is a captivating, eerily beautiful tome; full of mistrust, dark magic, and superstition.” - Image Magazine “With some artful weaving of fact and fiction, history and legend, harsh reality and Celtic myth, Carey has created an elegant and deeply evocative work of fiction. Although the story is drenched in sea spray and heavy with the perfume of island heather, this is no idyllic ramble. THE STOLEN CHLD…is beautifully written and has all the page-turning ingredients of a psychological thriller, along with a large dollop of distinctly Irish-flavoured magical realism.” - Sunday Independent “THE STOLEN CHILD is captivating - savage and tender, with a deep respect for the transcendent truths that lie in human pain. It grabs you, shakes you to your core and keeps you turning those pages. Leaving you reeling, sated and in love with its characters, landscape and utterly believable magic.” - Mia Gallagher, author of HELLFIRE and BEAUTIFUL PICTURES OF THE LOST HOMELAND “St Brigid’s Island is the sinister, seductive home to several individualistic, spiky women. These women know that their world is peopled with more than can be seen and they collude with and push against those sources, often with frightening results. THE STOLEN CHILD is a gorgeously written book about female bonds and the ferocious pull of motherhood. Compelling, eerie and beautiful.” - Nuala O'Connor, author of MISS EMILY “Returning to the magic found in Carey’s The Mermaids Singing, her newest release will enchant readers. Reminiscent of works by Susanna Kearsley and Lauren Willig, this is a good choice for those who are interested in Irish lore and the feminine mystique.” - Library Journal “A powerful, bewitching gothic tale of betrayal, superstition, and desire.” - The Lady Magazine “Vividly and soulfully described, love and curses, roiling in a supernatural stew, bring about the large and small calamities that will render St. Brigid’s uninhabitable. Magical realism of the best kind, utterly devoid of whimsy. ” - Kirkus Reviews (starred review) “[Carey’s] di