***National Jewish Book Awards 2012, Finalist***       JJ Greenberg Memorial Award for Fiction From the author of the New York Times Notable Book Matrimony ["Beautiful . . . Brilliant."—Michael Cunningham], a moving, mesmerizing new novel about love, loss, and the aftermath of a family tragedy. It’s July 4, 2005, and the Frankel family is descending upon their beloved summer home in the Berkshires. But this is no ordinary holiday. The family has gathered to memorialize Leo, the youngest of the four siblings, an intrepid journalist and adventurer who was killed on that day in 2004, while on assignment in Iraq. The parents, Marilyn and David, are adrift in grief. Their forty-year marriage is falling apart. Clarissa, the eldest sibling and a former cello prodigy, has settled into an ambivalent domesticity and is struggling at age thirty-nine to become pregnant. Lily, a fiery-tempered lawyer and the family contrarian, is angry at everyone. And Noelle, whose teenage years were shadowed by promiscuity and school expulsions, has moved to Jerusalem and become a born-again Orthodox Jew. The last person to see Leo alive, Noelle has flown back for the memorial with her husband and four children, but she feels entirely out of place. And Thisbe —Leo’s widow and mother of their three-year-old son—has come from California bearing her own secret. Set against the backdrop of Independence Day and the Iraq War, The World Without You is a novel about sibling rivalries and marital feuds, about volatile women and silent men, and, ultimately, about the true meaning of family. Featured Guest Review: Hannah Tinti Hannah Tinti is the author of Animal Crackers and The Good Thief , winner of the Center for Fiction First Novel Prize and a New York Times Notable Book of the year. Joshua Henkin is an expert at capturing the complicated dynamics and intricate nuances of family relationships, examining the bonds that bind and fray between husbands and wives, sisters and brothers, as well as parents and children—first in his novels Swimming Across the Hudson and Matrimony , and now with The World Without You. Set in 2005, over the Fourth of July holiday, The World Without You follows the Frankel family as they gather at their summer home in the Berkshires to memorialize Leo, their youngest son, who was killed while working as a journalist in Iraq (in a situation reminiscent of Daniel Pearl’s 2002 murder in Pakistan). One year after Leo’s death, his wife is taking the first steps towards a new relationship, his parents Marilyn and David are on the brink of divorce, and his sisters are struggling too: Clarissa with infertility, Noelle (a born-again Orthodox Jew) with her identity, and Lily with the anger she is carrying over the loss of her brother. As the Frankel family takes their first, tentative steps out of mourning, each tries to find a new place in a world, while understanding that Leo’s death has changed them, and their family, forever. The World Without You asks important questions: how do we move on after losing someone we love? And how do we love again? Joshua Henkin, that giving-tree of a writer, skillfully leads us through the ups and downs of his characters’ emotional worlds, understanding that moments of kindness can refill us with hope, and that family is a bond that can weather any storm. “Henkin is the master of the post-modern domestic novel. . . . [ The World Without You ] is a novel of brilliant insinuation, portraying the complex interiors of its characters and the worlds they inhabit. . . . [Henkin] has reinvented the domestic novel and in the process crated a work that gives coherent voice to the cacophony in the hearts and minds of a family torn by grief and divided over their Judaism.” — The Jerusalem Report “Insightful. . . . Poignant. . . . [Henkin]move[s] elegantly from one perspective to another. . . . Although the cast is large, you get to know them deeply, like real people. . . . Henkin brings them to a moving resolution that feels authentically possible. . . . The World Without You shows how loss forces people to reconceive of themselves, a painful but necessary transformation.”  — The New York Times Book Review   “Pleasingly old-fashioned. . . . Henkin never lets [his] story turn into a debate about the war in Iraq or the merits of Orthodox Judaism. What interests him is the texture of everyday existence and the constantly shifting human relationships embedded in it: the slip of the tongue over a child’s name that stakes a grandmother’s claim, the collective solving of a crossword puzzle that infuriates a slower-witted in-law, a brutally competitive tennis match that unexpectedly reconfigures the family dynamic. Those who have resorted to such passive-aggressive tactics with their own relatives will laugh and wince in recognition at Henkin’s perfectly calibrated measurements of intramural jockeying. . . . [A] warm-hearted novel.” —The Washington Post “[I]t's damn diffic