The Years (annotated): Virginia Woolf's British Literature Masterpiece – A Feminist Novel of Three Generations (The Virginia Woolf Library)

$16.60
by Virginia Woolf

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The Years is a sweeping tale of three generations of the Pargiter family, from the late nineteenth century to the 1930s, in the thick of life's cycles of birth, death, and the search for a pattern in all the chaos. Annotated and with an introduction by Eleanor McNees "Inspired throughout--a brilliant fantasia of all Time's problems, age, and youth, change and permanence, truth and illusion." -- The Times Literary Supplement (London)   One of Virginia Woolf's most ambitious and beautifully written novels, The Years offers a glimpse into the lives of one upper-class English family during the turn of the century. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, whose beloved wife lies still, gradually slipping into death in front of their seven worrisome children. Over the years , deaths, births, marriages, and wars shape each family member’s life, but it is through commonplace moments that the essence of each character is revealed. When the Pargiters young and old come together at a 1930s party that ends the novel, they talk, dream, and contemplate the patterns of the past and present?while the reader is left to imagine the future still to come. Virginia Woolf (1882-1941), one of the major literary figures of the twentieth century, transformed the art of the novel. The author of numerous novels, collections of letters, journals, and short stories, she was an admired literary critic and a master of the essay form. Mark Hussey , general editor of Harcourt's annotated Woolf series, is professor of English at Pace University in New York City and editor of the Woolf Studies Annual. Eleanor McNees is associate professor of English and director of graduate studies at the University of Denver.   VIRGINIA WOOLF (1882–1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels, including Mrs. Dalloway, To The Lighthouse, and Orlando. 1880 IT WAS an uncertain spring. The weather, perpetually changing, sent clouds of blue and of purple flying over the land. In the country farmers, looking at the fields, were apprehensive; in London umbrellas were opened and then shut by people looking up at the sky. But in April such weather was to be expected. Thousands of shop assistants made that remark, as they handed neat parcels to ladies in flounced dresses standing on the other side of the counter at Whiteley’s and the Army and Navy Stores. Interminable processions of shoppers in the West end, of business men in the East, paraded the pavements, like caravans perpetually marching,—so it seemed to those who had any reason to pause, say, to post a letter, or at a club window in Piccadilly. The stream of landaus, victorias and hansom cabs was incessant; for the season was beginning. In the quieter streets musicians doled out their frail and for the most part melancholy pipe of sound, which was echoed, or parodied, here in the trees of Hyde Park, here in St. James’s by the twitter of sparrows and the sudden outbursts of the amorous but intermittent thrush. The pigeons in the squares shuffled in the tree tops, letting fall a twig or two, and crooned over and over again the lullaby that was always interrupted. The gates at the Marble Arch and Apsley House were blocked in the afternoon by ladies in many-coloured dresses wearing bustles, and by gentlemen in frock coats carrying canes, wearing carnations. Here came the Princess, and as she passed hats were lifted. In the basements of the long avenues of the residential quarters servant girls in cap and apron prepared tea. Deviously ascending from the basement the silver teapot was placed on the table, and virgins and spinsters with hands that had staunched the sores of Bermondsey and Hoxton carefully measured out one, two, three, four spoonfuls of tea. When the sun went down a million little gaslights, shaped like the eyes in peacocks’ feathers, opened in their glass cages, but nevertheless broad stretches of darkness were left on the pavement. The mixed light of the lamps and the setting sun was reflected equally in the placid waters of the Round Pond and the Serpentine. Diners-out, trotting over the Bridge in hansom cabs, looked for a moment at the charming vista. At length the moon rose and its polished coin, though obscured now and then by wisps of cloud, shone out with serenity, with severity, or perhaps with complete indifference. Slowly wheeling, like the rays of a searchlight, the days, the weeks, the years passed one after another across the sky. COLONEL ABEL PARGITER was sitting after luncheon in his club talking. Since his companions in the leather armchairs were men of his own type, men who had been soldiers, civil servants, men who had now retired, they were reviving with old jokes and stories now their past in India, Africa, Egypt, and then, by a natural transition, they turned to the pres

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