Revamped from its original "double album" version of 350 pages into this unique "remix," To Repel Ghosts captures the dynamic work and brief life of the artist Jean-Michel Basquiat. In spare, jazzlike verse Kevin Young tells the story of Basquiat's rise from the mock prophet and graffiti artist SAMO to one of the hottest painters of the 1980s ("blue-chip Basquiat / playing the bull / market"), exploring the artist's bouts with fame and heroin, mourning his untimely death, and celebrating his legacy. Along the way Young riffs on Basquiat's paintings and sayings, on the music he loved, on the artists he ran with (Andy Warhol and Keith Haring, among them), and on the black heroes (Charlie Parker, Muhammad Ali, Billie Holiday) who inspired him. Young's poetic channeling of Basquiat--a jostling, poignant brand of downtownspeak--makes for an urban epic in the tradition of Langston Hughes's "A Dream Deferred." To Repel Ghosts , along with Young's Jelly Roll: A Blues and Black Maria , his recent book of film noir verse, forms an American trilogy-- Devil's Music --that explores other art forms through poetry. In its creation, Yound has become a poet whose work speaks both for and beyond his genre, with a music all its own. ""To Repel Ghosts is vivid and sometimes eloquent because Kevin Young writes as if the meaning of his subject, the much-mythologized Jean-Michel Basquiat, is up for grabs." -- Bookforum "Ghosts tangles with a pantheon of historical and cultural figures and comes out swinging. . . . Young's use of sampled text from Basquiat's paintings and graffiti gives these poems a freshness welcomed by readers hungry for meaningful beats." -- Black Issues Book Review ART-WORLD PHENOMENON Jean-Michel Basquiat was prolific in his short lifetime, creating an exhilarating new art inspired by music, language, and black American cultural icons." To Repel Ghosts synchronizes the harmony and discord of Basquiat's canvases, adapting them as a bass line to improvise and play upon. Young renders ambitious, celebratory poetry of the everyday and the exalted -- a double-album in verse, a jazz symphony, a hip-hop opera -- taking Basquiat's funkified history and making it sing. Structured on two "discs," To Repel Ghosts shows five "sides" of the artist, exploring the rise and demise of a painter who helped break through the art world's color line, first as SAMO(c) and then as a downtown art-scene wunderkind. Here are riffs on -- and extended rhapsodies for -- a pantheon of black genius: ballplayers, comic book and folk heroes, boxers, and especially musicians: Billie Holiday, Charlie Parker, Robert Johnson, and Grace Jones. This kaleidoscope of lives emerges in "To Repel Ghosts to provide a unique foil to Basquiat's own bout with fame. As an urban epic in the tradition of Langston Hughes's "Montage of a Dream Deferred and Federico Garcia Lorca's "Poet in New York, "To Repel Ghosts poignantly charts Basquiat's era, its popular, social, and racial energies and excesses. An album of our times, it is a powerful statement on a now-gone genius, and our recently completed century. Kevin Young is the author of four previous collections of poetry and the editor of Library of America's John Berryman: Selected Poems, Everyman's Library Pocket Poets anthology Blues Poems, and Giant Steps: The New Generation of African American Writers. His book Jelly Roll was finalist for the National Book Award and the Los Angeles Times Book Prize, and won the Paterson Poetry Prize. Young, who has also been the recipient of a Guggenheim fellowship, is currently the Atticus Haygood Professor of English and Creative Writing and curator of the Raymond Danowski Poetry Library at Emory University. To Repel Ghosts The Remix By Kevin Young Alfred A. Knopf Copyright © 2005 Kevin Young All right reserved. ISBN: 9780375710230 Chapter One     1. Campbell's Black Bean Soup Candid, Warhol scoffed, coined it a nigger's loft ? not The Factory, Basquiat's studio stood anything but lofty? skid rows of canvases, paint peeling like bananas, scabs. Bartering work for horse, Basquiat churned out butter, signing each SAMO[C]. Sameold. Sambo's soup. How to sell out something bankrupt already? How to copy rights? Basquiat stripped labels, opened & ate alphabets, chicken & noodle. Not even brown broth left beneath, not one black bean, he smacked the very bottom, scraping the uncanny, making a tin thing sing.     2. Poison Oasis {1981} Such church hurts? all haloes, crowns, coins ancient, flattened. Crossroads. Money changes hands stained like glass. Mirror, mirage?the dog a praying mantis at his feet. Basquiat eyes the needle, needs a fix?if the camel fits? heaven. Gimme some smack or I'll smack you back. Which side should he pierce, where to place the dromedary in his vein? Each opening fills with wine a wound. Hollowed ground. Blood of our blood? Basquiat trades Gol