Visualizing Genocide examines how creative arts and memory institutions selectively commemorate or often outright ignore stark histories of colonialism. The essays confront outdated narratives and institutional methods by investigating contemporary artistic and scholarly interventions documenting settler colonialisms including land theft, incarceration, intergenerational trauma, and genocide. Interdisciplinary approaches, including oral histories, exhibition practices, artistic critiques, archival investigations, and public arts, are among the many decolonizing methods incorporated in contemporary curatorial practices. Rather than dwelling simply in celebratory appraisals of Indigenous survival, this unprecedented volume tracks how massacres, disease, removals, abrogated treaties, religious intolerance, theft of land, and relocation are conceived by contemporary academics and artists. Contributors address indigeneity in the United States, Norway, Canada, Australia, and the Caribbean in scholarly essays, poems, and artist narratives. Missions, cemeteries, archives, exhibitions, photography, printmaking, painting, installations, performance, music, and museums are documented by fourteen authors from a variety of disciplines and illustrated with forty-three original artworks. The authors offer honest critique, but in so doing they give hopeful and concrete strategies for the future. This powerful collection of voices employs Indigenous epistemologies and decolonial strategies, providing essential perspectives on art and visual culture. Contributors T. Christopher Aplin Emily Arthur Marwin Begaye Charlene Villaseñor Black Yve Chavez Iris Colburn Ellen Fernandez-Sacco Stephen Gilchrist John Hitchcock Michelle J. Lanteri Jérémie McGowan Nancy Marie Mithlo Anne May Olli Emily Voelker Richard Ray Whitman   “This powerful and rich volume offers deep examinations of history and contemporary practice among Indigenous artists working across multiple genres, confronting the legacies of settler colonialism and genocide.”—Virginia Scharff, author of The Women Jefferson Loved “Overall, this edited volume makes a rich contribution to visual memory studies,precisely because it draws readers into the reality of marginalized perspectives and stories while providing a sharp political critique of the reasons for this ongoing marginalization.”—Katrin Antweiler, International Affairs “ Visualizing Genocid e addresses the complexity of these painful topics in an unflinching and empathetic manner, offering hope and a glimpse of the path forward. Museum and archive professionals will find the collection an invaluable resource in the crucial work of decolonization. Moreover, the volume is engaging and accessible for all of those interested in Native art and alternative space-making; numerous images of the artwork discussed are included, reproduced in both color and black and white.”—Sarah Greenwell-Scott, American Indian Culture and Research Journal “This book is a welcome intervention and invitation for us to begin to talk about the histories and ongoing effects of genocide through collective and relational Indigenous lenses. It also significantly highlights the inventive work of Indigenous artists and curators in this regard.”—Mark Minch-De Leon, Native American and Indigenous Studies “Accompanied with the intellectual, yet approachable analyses of the artworks discussed, this method of 'visualizing genocide' paves a way for the future through creatively unpacking the past.”—Ishmael Elias, News from Native California Yve Chavez (Gabrieleno Tongva San Gabriel Band of Mission Indians) is an assistant professor of art history in the School of Visual Arts at the University of Oklahoma. She has published in Latin American and Latinx Visual Culture and Arts. She has earned fellowships through the University of California President’s Postdoctoral Fellowship Program and the Mellon Foundation.   Nancy Marie Mithlo (Fort Sill Chiricahua Warm Springs Apache) is a professor of gender studies and American Indian studies at the University of California, Los Angeles. Mithlo’s curatorial work has resulted in nine exhibits at the Venice Biennale. Mithlo has taught at the University of New Mexico, the Institute of American Indian Arts, Santa Fe Community College, Smith College, California Institute of the Arts, Occidental College, and the University of Wisconsin–Madison. She is the author of Knowing Native Arts. www.nancymariemithlo.com.