In the middle of the twentieth century, good cameras became smaller and lighter, enabling street photographers to roam alleyways, ride elevated trains and subways, and stroll beaches in summertime to capture daily life with urgency and intimacy. Walkers in the City showcases the distinctive urban vision that working-class Jewish photographers produced with these new cameras on New York City's streets and in public spaces. Drawing on the experiences of and photographs by a generation of young Jewish photographers who belonged to the New York Photo League, Deborah Dash Moore offers a new perspective on New York as seen through their eyes―a cityscape of working-class people and democratizing public transit. With their cameras, they pictured Gotham's abrasive social milieu and its evanescent textures and light, creating an archive of vernacular images of city life and a distinctive tradition of street photography that would be widely imitated. Walkers in the City documents how these roving, imaginative New Yorkers, entranced by the medium of photography, transformed everyday sights into rousing, joyous, and poignant moments of time, creating visual poetry out of the fabric of social life. In an homage to a space and time that have passed, but that remain as traces in the vivid depictions on display in this handsome and informative volume, Moore offers a love letter to photographers who looked past ideological doctrine (worker strikes and political protests are set aside) to teach viewers and to remind themselves how to regard their fellow New Yorkers with the dignity of concerned attentiveness. ― Gotham Center A stunningly perceptive narrative of the subject of Jewish street photographers. ― Bill Aron That this book has the potential to open up so many paths of investigation is evidence of its originality, depth, and richness. Deborah Dash Moore's Walkers in a City , simultaneously earthy and elegant, is a stupendous achievement. ― H-Net Walkers in the City is lucidly written and beautifully illustrated. Deborah Dash Moore deftly examines Jewish photographers' commitment to capturing the life of the city they love, its people, and the streets where they negotiated their own place in America. -- Laura S. Levitt, author of The Objects that Remain Deborah Dash Moore is Frederick G. L. Huetwell Professor of History and Professor of Judaic Studies at the University of Michigan. She is the author of GI Jews and coauthor of J ewish New York.