Wall art print on satin-finish heavyweight paper (9 mils, 216 gsm) designed for lasting clarity and detail. A great addition to modern home decor, office walls, creative studios, or gallery-style displays. Printed on eco-friendly paper that is recycled, FSC and SFI certified, and chlorine-free (TCF and ECF compliant). A sustainable choice for those seeking environmentally conscious wall art without compromising material standards. Unframed wall art print sized to fit standard ready-made frames, making it easy to frame and display without custom framing. A practical choice for home, office, or gallery-style decor. The print measures 9x12 inches (23x31 cm), perfect for versatile display options. The overall paper size includes a generous white border, making the image area 8.5x11.5 inches (22x29 cm). This border enhances visual appeal and allows for easy framing, ensuring the artwork stands out beautifully in any setting. Printed on demand and packaged using rigid mailers or protective tubes to help prevent damage in transit. Each order is handled with care to support secure delivery and ready-to-frame condition upon arrival. Enjoy a taste of Aloha with these beautiful Master Art Prints by Pacifica Island Art - printed in Maui, Hawaii. This print will look wonderful framed in the home, office or restaurant and is perfect for the Vintage Art Collector.
- ABOUT THE ARTIST -
J. Howard Miller - J. HOWARD MILLER (1918–2004) Was an American graphic artist. He painted posters during World War II in support of the war effort, among them the famous 'We Can Do It!' poster, frequently misidentified as Rosie the Riveter. Miller studied at the Art Institute of Pittsburgh, graduating in 1939. His work came to the attention of the Westinghouse Company (later, the Westinghouse War Production Co-Ordinating Committee), and he was hired to create a series of posters. The posters were sponsored by the company's internal War Production Co-Ordinating Committee. Miller may have based the 'We Can Do It!' poster on a United Press International (UPI) picture taken of Geraldine Doyle working at a factory. At the time of the poster's release the name 'Rosie' was not associated with the picture; that came after 1982 when the poster was rediscovered in the US National Archives. Feminists and others have seized upon the uplifting attitude and apparent message to remake the image into many different forms, including self empowerment, campaign promotion, advertising, and parodies.